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~ Since 1946 ~

Meaningful Conflicts The Art of Friction


Forty-nine authors  ~
Fifteen poets ~ 
All of their
delightful disputes

This unique collection of short stories, memoir, poetry and creative non-fiction from the members of Off Campus Writers'  Workshop  represents a range of voices and levels of experience, from prize-winning authors to writers making their publishing debut.

 


 




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Introducing the OCWW authors of Meaningful Conflicts


          INTRODUCING THE AUTHORS 

MEANINGFUL CONFLICTS

Kelly Q. Anderson

Nancy Hepner Goodman

Kathy Mirkin

Rita Angelini

Caryn Green

Nora Naughton

Paco Aramburu

Polly Hansen

Mary Nelligan

Allison Baxter

Mary Hickey

Irma M. Olmedo

Susan Bearman

Peter Hoppock

Carol Orange

Ronit Bezalel

Renee James

Nora Orschel

Elizabeth Bower

Laura Joyce-Hubbard

David Pelzer

Susan Cousins Breen

Sherry Kromer-Shapiro

Marcia Pradzinski

Anna Carvlin

Karen Nicole Johnson

Laurel Ross

Nancy Chadwick

C.D. Karabush

Meg Salzman

Cathy Chester

Sandy Kubillus

Hugh Schulze

Barbara Chiprin 

Kirk Landers

Sarah Ray Schwarcz

Belinda Copeland

Jason Lavicky

Stanford Searl

Anna da Silva

Della Leavitt

Alan Souter

Elizabeth DeSchryver

Beth Lewis

Moira Sullivan

Toni Louise Diol

Roberta Albom Liebler

Thomas Sundell

Michelle Dybal

Tara Maher

Lisa Sukenic

Sheila Elliott

Kitty Malik

Michelle Thoma-Culver

Fred Fitzsimmons

Sarah Malone

Thomas Dawe Tepper

Llewella Forgie

Margot McMahon

Joyce Burns Zeiss



BEHIND THE
BOOK


Welcome to Behind the Book, a series of mini-interviews with the writers and poets of Meaningful Conflicts: The Art of Friction.  In the months ahead we'll explore  the inspiration and influences that shaped this collection of multi-genre works of fiction, nonfiction, and poetry.

  • May 26, 2023 8:53 AM | Anonymous member (Administrator)


    Tell us the inspiration behind  Man of the House.

    Man of the House was inspired by 'What if….' questions. What if a son were replaced in his mother’s affections by a friend? What if that friend became the man of the house instead of the favorite son? 

    What do you hope readers will take away from your story? 

    Any situation can become a meditation on human nature. In my character’s case: change is constant; growth is optional.  

    Writerly advice?  

    The end is in the beginning. And you begin where you enter in. 

    How has OCWW helped you as a writer?

    The OCWW critique group and the sensitive editors for the “Meaningful Conflicts” anthology encouraged me to go beyond my original idea, to experiment as Fred Shafer suggests. The feedback I received was invaluable and the workshops stimulating. 


    MOIRA SULLIVAN 
    writes poems and fabulist short stories, often with a supernatural element.  She serves on OCWW's Promotions Committee and on the Board as Secretary.

      ||      FOLLOW ON INSTAGRAM


ALSO FROM OFF CAMPUS WRITERS WORKSHOP:   

A REason to Be Here Anthology

 Turning Points Anthology

 

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