Remote (OCWW may add a live event with separate registration)
Do you have a backlog of abandoned stories and essays? Have you revised the life out a piece, trying to make it perfect? In this course, we’ll discuss some less common ways of waking up your prose and unlocking narrative energy. Toward this end, we’ll examine thrilling turns in several stories and essays. Some of the strategies we’ll cover include: finding and fanning hotspots; using transitions as transport; modulating register, diction, and rhythm; and making space for rough edges and mischief.
Optional: Bring a few "unworkable" pages from a work-in-progress.
Bio: Rachel Swearingen is the author of How to Walk on Water and Other Stories, winner of the 2018 New American Press Fiction Prize. Her stories and essays have appeared in VICE, The Missouri Review, Kenyon Review, Off Assignment, Agni, American Short Fiction, and elsewhere. She is the recipient of the 2015 Missouri Review Jeffrey E. Smith Editors’ Prize in Fiction, a 2012 Rona Jaffe Foundation Writers' Award, and the 2011 Mississippi Review Prize in Fiction. In 2019, she was named one of 30 Writers to Watch by the Guild Literary Complex. Swearingen holds a BA from the University of Wisconsin – Madison and a PhD from Western Michigan University, and teaches at the School of the Art Institute in Chicago.
We offer free student memberships at a discounted rate of $5.00 per session. You must send verification of your student status. Please contact Claudia Katz at firstname.lastname@example.org for details.
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