Unless every character you write is exactly like you, fiction involves writing across difference. Those differences might be ones of identity and demographics, or they might be ones of knowledge, experience, setting, and historical era. With so much valid concern and debate around the touchy issue of appropriation, writers can find themselves crippled by fears: Do I have permission to write this? What if I get it horrible wrong? Even if I do it well, will people be upset that I wrote outside my own life?
Rebecca Makkai’s The Great Believers is a novel that took the author far outside her own lived experience and her own identity, and in this talk she will share not only the essential questions she asked herself as she wrote, but the strategies—of research, of craft, and of publishing—she arrived at by the end. We’ll discuss techniques for researching lives unlike our own, for approaching filter readers, and for making sure we’ve approached our characters with the respect they deserve.
Rebecca Makkai is the Chicago-based author of the novel The Great Believers, a finalist for both the Pulitzer Prize and the National Book Award, one of the New York Times' top ten books for 2018, winner of the ALA Carnegie Medal, the Stonewall Award, the Heartland Prize, and the Chicago Review of Books Award, and a pick for the New York Public Library’s 2018 Best Books. Her other books are the novels The Borrower and The Hundred-Year House, and the collection Music for Wartime – four stories from which appeared in The Best American Short Stories. Rebecca is on the MFA faculties of Sierra Nevada College and Northwestern University, and she is Artistic Director of StoryStudio Chicago. Visit her at RebeccaMakkai.com or on Twitter@rebeccamakkai.
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